Works
INSTRUMENTAL CHAMBER
shoes, float away
for violin, viola, clarinet in Bb and bassoon [4']
written for the Britten Sinfonia's inaugural Opus 1 Composer Scheme
RESET
for violin and piano [7'30]
written for Joonas Pekonen and Yucong Huang and premiered in Milton Court Concert Hall in
Summer 2021
pendulum
for two pianos [3'30]
written for the Guildhall Postgraduate Keyboard-Composition Induction Concert and premiered in Milton Court Concert Hall in Autumn 2020
chasing sunlight
for solo winds and string orchestra [5']
commissioned by Clare College Music Society and premiered in West Road Concert Hall in Spring 2020
early workshop draft of 'shoes, float away'
OPEN SCORE
are you dancing? are you asking?
for any number of performers
written for the Guildhall New Music Society Winter concert 'Alternative Lessons and Carols 2021', in collaboration with Nazli Tabatabai-Khatambaksh
tina's ices #6
for any number of performers and playback devices
written for Plus Minus ensemble and premiered in Silk Street Music Hall in Summer 2021
put the kettle on (and make a brew)
for any number of performers
first performed in Milton Court Studio with Sophie Walker in Spring 2021
prose score, 'put the kettle on (and make a brew)'
SOLO
melodica experiments
four text scores written for Efe Yüksel and the Guildhall New Music Society mini-archive, Spring 2021
folding, unfolding
for organ [3'30]
commissioned by Choir & Organ for Graham Ross and The Choir of Clare College, Cambridge for the November/December 2020 edition
#1 to soak, from 'melodica experiments'
VOCAL
Light in Our Hearts
for SATB choir and organ [3']
written for Trent College school and commissioned by Chris Foster, former Director of Music
Between Breaths
for soprano, harp, clarinet in Bb and double bass [8']
libretto by Nazli Tabatabai-Khatambaksh
written for the GSMD Wigmore Voiceworks project and premiered in Milton Court Concert Hall in Spring 2021
juice
for soprano, mezzo soprano, alto, tenor, baritone and bass [6']
written for EXAUDI vocal ensemble and first performed in Spring 2021
A Collection of Mad Songs
for soprano and piano [7']
first performed by Lottie Bagnell and Ashley Chow in Cambridge in Spring 2020
A Tender Light
for alto and vibraphone [6']
commissioned by The Mermaid Café for Alternative Lessons and Carols in Jesus College Cambridge
first performed by Joanna Ward and Ruari Paterson-Achenbach in Winter 2019
